I
have a student who simply loves the Pirc. He plays
it every chance he gets, he continually asks me
questions about it, and he gets depressed every
time the opening doesn't turn out well for him.
This book caught my eye because
of his constant Pirc nagging; I was hoping it
would answer some tricky theoretical questions
that I didn't have answers for.
Of course, I didn't have high hopes,
but why not crack the pages and pray for salvation?
Surprisingly, it turned out to be almost everything
I could have hoped! Clear type makes it easy on
the eye, and lots of prose (simple and to the
point) allows the reader to understand some of
the key ideas of the opening. More explanation
of the typical ideas would have been nice for
the weaker player but, overall, the authors did
quite an impressive job in this respect.
Written from Black's point of view,
the analysis is quite up to date and thorough
enough for the intended audience (i.e., most likely
good for players up to 1500). In fact, the positions
looked so good that I almost wanted to play tournament
chess again just so I could try the Pirc!
Aside from a typo (and what book
doesn't have typos?) in the index of variations
(Chapter Five, they give 3.d3 instead of 3.Bd3),
I only have one major gripe: Everything seems
well covered except for 1.e4 d6 2.d4 Nf6 3.f3
when White will try to transpose into a Samisch
King's Indian (and avoid a transposition into
a Philidor after 3.Nc3 e5). I was disappointed
that this move (3.f3) was ignored by the authors,
and I would hope that this flaw will be corrected
in future editions.
One last, self-serving, point:
I have had many people criticize the covers of
my own books whenever I try to do something original
or interesting. Comments like, "Why couldn't
you do a logical and beautiful cover like so and
so's book?" poured down on me (and still
do to this day). Sadly, "so and so's"
book had a cover showing a chess board with pieces,
while "so and so's" other book had a
cover with a few pieces (sans board) tossed here
and there.
Where is it written that one hundred
thousand chess books have to all have the same
cover? Are chess players really so lacking in
flexibility and originality?
I bring this up due to the very
nice cover on Chernin and Cartier's book. A rendering
of a Philippe Valy painting (all right...the painting
is one of chess pieces...but they are such NICE
chess pieces!) is a very pleasant change of pace.
I take my hat off to the publisher and, by doing
so, thumb my nose at all the "cover critics"
who have relentlessly hounded me for so many years.
Back to the review: If you are
rated 1500 or below and play the Pirc, you will
be happy you got this book. If you play White
versus the Pirc, this book will show you the lines
you have to deal with and will challenge you to
come up with a good answer.
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