I
should probably start characterizing some publishers
for the reader who isn’t conversant with
the chess publishing world. Let me start with
Gambit Publishing. It is one of the two giants
of chess publishing (Everyman is the other) with
respect to serious books which include verbal
commentary. Of course New in Chess, ChessBase,
and the publishers of Informant are other major
chess world publishers, but they are best known
for periodic publications and CDs, whereas books
like ECO and the Encyclopedias of Middlegames
(and Endings) are wordless. Gambit’s audience
generally ranges from the “improving (club?)
player” all the way to grandmaster. The
company produces encyclopedic works such as NUNN’S
CHESS OPENINGS (For Watson’s review of “NCO”,
click HERE,
while you can find Silman’s review of this
book HERE.)
and Mueller and Lamprecht’s excellent and
surprisingly accessible FUNDAMENTAL CHESS ENDINGS
(A book that is still growing on me. Click HERE
to see Donaldson’s review.). They also put
out some advanced books on practical play and
middlegame structures and strategy. I should emphasize
that, as with Everyman, Gambit is publishing more
works in the intermediate category, with books
on tactics, chess improvement, puzzles, and the
like. With a few exceptions, these are outside
of the province of this column and I won’t
list them. One should visit their Website for
details: www.badbishop.com/gambit/index.html.
It may interest some readers that Gambit has translated
and published some of their most popular books
into German (11 books) and Spanish (5 books).
My own modern strategy book was even translated
into Italian!
To my mind, specialized books on
individual openings have been gathering a little
moss over the past few years. By this I mean that
we are seeing too many books essentially generated
from databases without enough original material
from the author. I haven’t reviewed several
of the opening books from the last year for that
reason. To me, “complete” works have
always been the most admirable form of writing
about openings, in the sense that the alternative
of merely picking out representative games allows
one to present variations and general ideas without
doing the hard work of establishing which are
truly the best and worst options for both players.
That is a much more difficult task than merely
presenting the typical ideas, structures, and
strategies of an opening, which I (and any other
experienced master) can do well for just about
every opening that exists.
At any rate recent complete works
have begun to get stale, as lists of game fragments,
even well chosen, are not necessarily indicative
of best or most interesting courses of play. In
fact, I think that they rarely tell the whole
truth about complex openings, since careful analysis
will show that there are various interesting ways
to deviate (or in some cases to boringly equalize),
whether the game comes from Kramnik, Lputjan,
Gulko, or some lower master. What makes a “complete”
opening book come alive is for the author to step
out of the mold and show personal interest in
as many lines as possible. Chess is a surprisingly
rich game, and given enough diligence on the part
of the author even the most established opening
variations will yield fresh ideas. That said,
just organizing the incredible quantity of games
and published material in major openings is already
a very time-consuming task, so it’s probably
unrealistic to expect too much from authors who
receive so little material reward.
PLAY THE 2.c3 SICILIAN by Rozentalis
and Harley (Check out Donaldson’s
and Silman’s
review of this same book.) is a repertoire book
for White, but also a “complete” book,
in that it looks at every reasonable Black system
and provides at least one and sometimes more ideas
with which to meet it. Eduard Rozentalis is a
first-class grandmaster with enormous knowledge
of this system, and his co-author Andrew Harley
is insightful and assiduous, so much so that I
strongly suspect that he contributed as much as
his better-known partner.
It is impossible to describe this
book in any detail for reasons of space, but nearly
every chapter and variation contains new and interesting
ideas, often treated in great detail, so the authors
get a perfect grade in the involvement department.
It is also a tribute to the open-minded approach
of the authors that they can find counter-intuitive
moves that effectively change the assessment of
a position that has been around for years and
dismissed as dully equal. Several times they demonstrate
a definite if small White advantage by pursuing
some simplified middlegame that looks devoid of
prospects until you realize that it really is
difficult for Black to coordinate his pieces.
I certainly had to reevaluate my assessments of
some key variations.
Of course it’s still a real
challenge to make 2.c3 work against all defenses.
The authors’ treatment of the popular line
1.e4 c5 2.c3 d5 3.exd5 Qxd5 4.d4 Nf6 5.Nf3 Bg4
is comprehensive and fun. Particular attention
is paid to the move 6.dxc5, when I agree that
6...Qxd1+ 7.Kxd1 followed by b4 probably favors
White; but after 6...Qxc5, the authors are too
optimistic and miss good ideas for Black (mostly
a delicate matter of timing and move orders).
Tal Shaked and I looked these ideas many years
ago from both sides of the board. In my opinion,
Black can equalize in more than one way, although
that shouldn’t deter players from entering
into this complex and under-investigated line.
After all, White always has countermoves to test
each Black attempt. This example is typical: Rozentalis
and Harley are often too optimistic about White’s
prospects, but they open up all kinds of new vistas
and leave everything open for experimentation.
This book contributes a tremendous
amount to theory and is highly recommended. Before
moving on, however, I want to show one line that
they missed for Black. After 2.c3 Nf6 3.e5 Nd5
4.d4 cxd4 5.cxd4 d6 6.Nf3 e6 (there are other
orders) 7.Bc4 Nb6 8.Bd3, Short recently played
8...dxe5 9.dxe5 Na6! versus Shaw in Gibraltar
2003. Black has the double idea of ...Nb4 and
...Nc5 followed by an exchange of queens and/or
...Bd7 and ...Rc8. Black was soon better, although
I suppose that White must be able to equalize.
In the end, I feel that it’s unlikely that
White gets an advantage after 2.c3, but Rozentalis
and Harley show how many possibilities and options
he has. A very fine effort.
.
YOU
CAN FIND THIS BOOK AT

|