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It's fortunate that I stuck with Mihail Marin's
SECRETS OF CHESS DEFENCE beyond some rocky points
in the first 30 pages or so. It turns out to
have some good qualities that are missing from
previous tomes on this subject. Of course, as
with any book on defense (or even a part of
one on that subject) we are told that people
don't write about it much; this is a predictable
claim but fair enough. Marin tries to explain
this in cosmic terms. His first paragraph consists
of the majestic pronouncement: "We live in a
world marked by aggression at all levels." He
then attributes the prejudice against defense
to the entire history of humanity's aggression,
mirrored by that of individuals. Chess itself
was regarded "as another form of medieval dual,"
leading to our association of cowardice with
those who refuse to pick up the gauntlet. All
very elevated, yet it may be that such biases
of human culture needn't be invoked. After all,
if we are such naturally aggressive folk then
maybe it's just more fun to attack than
defend!
Be that as it may, the author returns to the
world of moving pieces by contrasting an early
and famous attacking game by Steinitz (in which
his opponent misses a key defensive move and
gets slaughtered) with "a similar situation"
in one of Marin's own 1994 games. In the latter
contest White defends brilliantly and neutralizes
Marin's attack. The positions are hardly similar
(one is wide open with immediate confrontation
and no particular positional features and the
other is a cramped Hedgehog), but the idea expressed
about the differing levels of defense is valid.
He follows this with an exaggerated description
of Steinitz' "road to Damascus" and "radical"
change in philosophy after a single tournament
(Paris 1867). Unfortunately he then gives as
examples only two much later games by Steinitz
against Chigorin, from their 1889 and 1892 matches.
One game is an Evans Gambit with a defense that
Steinitz himself called an "experiment," complaining
that his "experiments" cost him 5 out of the
7 lost games of the match (see my review of Kasparov's
MY GREAT PREDECESSORS).
Such a game is perhaps not the best example
of the evolution of defense, although it does
show the increasingly defensive style of Steinitz'
own play. In my opinion, the latter style only
fully manifested itself towards the end of his
career. Chigorin himself is described by Marin
as a "totally opposed chess personality" and
"an unconditioned [sic] devotee of the combinative
school." Several other writers (including myself)
disagree with this too strong characterization,
finding in some of his games both unassuming
positional ideas and the use of slow maneuvering
in closed positions (e.g., several of his Chigorin
Defenses and various e-pawn games as Black).
Marin's general descriptions have merit but
they are often too strongly stated.
In this section several of the examples are
very good, especially the one on pages 11-12
and the remarkable Lasker-Steinitz game where
Black's pieces go backwards to defend and ultimately
prepare a counterattack. But Marin is unconvincing
when he pontificates or philosophizes (e.g.
biblical quotes adorn many chapters, some with
no apparent relationship to the material). On
page 13 he says: "Most modern authors tend to
ignore (or publicly deny) the instructional
value of old games." That would be very strange
indeed, since the many contemporary instructional,
strategic, and endgame books that I regularly
receive are full of classical games; and I can't
think of a single example of someone denying,
much less "publicly" denying, the instructional
value of older games. I believe that most of
my generation (which probably includes most
current authors) grew up and learned largely
from tournament books, games collections and
instructional books featuring the likes of Morphy,
Steinitz, Tarrasch, Lasker and their opponents,
as well as Rubinstein, Capablanca, Alekhine
etc. In fact there was little choice given the
literature available; if there were no instructional
value in these games, a substantial part of
a generation would have been in a bad way indeed.
Perhaps because the first chapter is so much
more abstract than the others (see below), Marin
sometimes seems to lose his focus. On page 23,
for example, we have a standard attack by Black
in the King's Indian Defense via ...f4/...g3,
with Black's pieces poised to attack a king
on h1. What's worse for White, it's a blitz
game and when he doesn't find his only difficult-to-see
resource and allows a beautiful combination
(Marin even uses the combination as an exercise),
he uses this as an example of "superficial treatment"
in defense! Then on pages 27-9, Marin gives
two examples with the theme "Black's threats
are only an optical illusion." But in the first
one White has a nice positional advantage, he
is the only one attacking, and he wins smoothly.
At no time do I see Black conjuring up the slightest
threat, nor does Marin claim that he does so!
In the second example White has terrific development
and controls key squares. Black tries a tricky
one-pawn advance that manages to use up two
more moves still without developing any of his
queenside. Not surprisingly, White refutes it.
Hardly an example of defense!
Furthermore, Marin's presentation often contains
what seem to be overstatements, although some
of them are more dramatic than truly inaccurate.
Here's a position from Marin-Svidler, Elista
1998:
Marin,M (2530) - Svidler,P (2710) [A20]
ol (men) Elista RUS (3), 01.10.1998
1.c4 e5 2.g3 g6 3.d4 d6 4.Nc3 Nd7 5.Nf3 Bg7
6.Bg2 Ne7 7.0-0 exd4 8.Nxd4 0-0 9.e3 Nb6 10.b3
d5 11.cxd5 Nbxd5 12.Nxd5 Nxd5 13.Ba3 Re8 14.Rc1
c6 15.Qd2 Nc7 16.Bb2 Nb5 17.Rfd1 Bg4 18.f3 Nxd4
19.fxg4 Ne6 20.Bxg7 Nxg7 21.Qxd8 Raxd8 22.Kf2
Ne6 23.h4 h6 24.b4 Rxd1 25.Rxd1 Rd8 26.Rxd8+
Nxd8 27.Ke2 Kf8 28.Kd3 Ke7 29.Kd4 Kd6 30.Bf1
Ne6+ 31.Ke4 b5 32.h5 Ng5+ 33.Kf4 Ne6+ 34.Ke4
a6

Marin
says: "For a moment I was tempted to resign.
Try to imagine my feeling: on theother side
of the board was sitting a player
who had a positive score against Kasparov;
wouldn't it show a lack of respect to continue
defending
such ruins?" [At this point some friends then
come over to watch his game and he is embarrassed
by his position]. But then, "just when resignation
seemed the only way out of my situation..." Marin
finds inspiration from the fact that the
rest of his team has a chance for a great
result
against the Russians and he continues to
play. Of course he ends up drawing the game,
and without
a single mistake on Black's part! This all
seems a bit melodramatic. What player from
Kasparov
down to the average player would resign in
such a position, and yet a strong grandmaster
like
Marin would? In a situation with reduced
material, Black has no clear threats and
White has the
opportunity to centralize his pieces. Still,
whether or not Marin is slightly exaggerating
his feelings, the example reveals how tense
and confused any player can become when involved
in a high-level struggle. Haven't we all
experienced
something similar? A position that we would
normally see clearly appears hopeless under
pressure. This kind of personal story contributes
positively to the book, as does Marin's use
of his own wins and losses in the context
of
defensive play.
35.hxg6 fxg6 36.Bd3 c5 37.a3 Ng5+ 38.Kf4 Ne6+
39.Ke4 c4 40.Bc2 Nc7 41.Kd4 Ne6+ 42.Ke4 Nd8
43.Kf4 g5+ 44.Kf5 Nc6 45.Bd1 Ne5 46.e4 c3 47.Bc2
Nc4 48.Kf6 Ne5 49.Kf5 Nc6 50.Kf6 Ne5, 1/2-1/2.
In the end, however, I decided to review
this work for quite a different reason: I
think that
it makes a real contribution to instructional
literature. Specifically, once the introductory
chapter is over, SECRETS OF CHESS DEFENCE
discusses
standard defensive ideas in logical and systematic
order according to type. This is an organizational
method that is very often used in books on
attack,
the endgame, and strategy, but one that I
haven't seen used successfully in books on
defense.
The particular techniques of defense are
clearly illustrated and grouped together,
as illustrated
by chapter titles, e.g., the King as Fighting
Unit, Fortresses (a great chapter), Stalemate
(also fun), Perpetual Check, the Soul of
Chess
(which presents a few ideas that I disagree
with but is quite original), Queen Sacrifices,
Exchange Sacrifices, Minor-Piece Sacrifices,
Two Minor Pieces for a Rook (extremely interesting,
and barely covered elsewhere in a defensive
context), Simplification, Defending Difficult
Endings (very useful and practical), and
Premature
Resignation. Marin sticks to these subjects
as tightly as possible and provides thought-provoking
material. This must be the best way to study
defense if one is properly motivated. I have
previously mentioned Soltis'ART OF DEFENSE
and
reviewed Crouch's HOW TO DEFEND IN CHESS
(click to see Watson's
and
Silman's reviews of Crouch's book), both wonderful
and perhaps better books, but they don't present
material as usefully for the student. A tight
categorization of themes like this has to be
welcomed by the developing player, who has probably
been told often enough to fight hard and look
for resources, but hasn't necessarily been able
to sort out and learn specific defensive (and
drawing) techniques. Thus, despite some reservations
about its style, I can freely recommend this
book to students from club level on up. |