Mark Dvoretsky’s books are serious
efforts deserving of close study, and while
this volume contains much useful information
it is hampered by somewhat dated material
and lack of focus. Without a doubt, Dvoretsky’s
training methods, which are detailed here,
are timeless and important, but this volume
covers the part of the game that changes the
most over time. In places, detailed analysis
on opening variations might lead the reader
to an incomplete conclusion.
This is the fourth, and final, volume of
a series that previously appeared in Russian
and German and is now translated into English
in its entirety. The first three volumes covered
the endgame, tactical play, and strategic
play. This is a separate and distinct book
from Dvoretsky’s other opening book,
OPENING PREPARATION, which was co-authored
by Artur Yusupov and released in 1994.
The author is arguably the most highly regarded
chess trainer in the world today. He has worked
with a host of strong junior players, several
of whom won the world junior championship,
including grandmasters Artur Jusupov, Sergey
Dolmatov, and Alexey Dreev. Much of the series’
content is based on the games of the author
or his students, and in many cases the chapters
are based on lectures and lessons Dvoretsky
provided to students at his chess school.
The book is divided into two parts: the first
covers a variety of topics that arise in the
opening, while the second includes complete
games that act as the vehicle for the author
to discuss certain aspects of opening study
and play. As with other volumes in the series,
throughout the author poses various questions
that the student is asked to answer. There
are also exercises with solutions given at
the end of the book. The Appendix includes
an index of exercises by “thinking skills”
and types of positions to be solved as well
as an index of players.
In the first part, Dvoretsky uses the experiences
of his students to provide much helpful insight.
For example, in the chapter on “How
a Player Develops” Dvoretsky, in discussing
his work with Alexey Dreev, details how they
dealt with problems related to his narrow
opening repertoire. It may be surprising to
hear that part of Dvoretsky’s method
for dealing with this was to make Dreev wade
into a strong tournament with a new repertoire
that was far from complete. Through analysis
of some of Dreev’s play from that tournament,
however, we learn a lot about how a player
should approach opening preparation.
Lest the reader think that just “winging
it” is the way to go in the openings,
Dvoretsky also details his experience with
woman world championship contender Nana Alexendria,
where she almost won the world championship
from Maya Chiburdanidze through extensive
opening preparation. In a very interesting
chapter, the author explains how Nana missed
her chance at the world championship (she
ended up drawing the match) for reasons that
were not connected to the opening. This is
an excellent chapter with lots of good practical
points, but it should be noted that few of
these points really relate to the opening
phase of the game.
There are chapters that provide some interesting
opening discussion and advice. The author
picks up, for example, on Botvinnik’s
theory that a player should create his or
her own opening theory. Of course, this is
a very advanced concept, but the author illustrates
it with some interesting examples.
One of the book’s better theoretical
discussions concerns a main variation in the
Panov-Botvinnik Attack against the Caro Kann.
After 1.e4 c6 2.d4 d5 3.exd5 cxd5 4.c4 Nf6
5.Nc3 Nc6 6.Nf3 Bg4 7.cxd5 Nxd5 8.Qb3 Bxf3
9.gxf3 e6 10.Qxb7 Nxd4 11.Bb5+ Nxb5 12.Qc6+
Ke7 13.Qxb5 Qd7 14.Nxd5+ Qxd5, it was Dvoretsky’s
student Dolmatov who first played the refinement
15.Bg5+ (as opposed to the immediate 15.Qxd5)
with the point that 15…f6 weakens the
square e6. In the case of 15.Qxd5 exd5 16.Be3,
black can equalize with 16…Ke6, such
as in the line 17.0-0-0 Rc8+ 18.Kb1 Bc5 19.Rhe1
Kd6. However, with the check interpolation,
after 17...Ke6 18.0-0-0 Rc8+? 19.Kb1 Bc5 20.Rhe1
Kd6 21.Bf4+ Kc6 white exploits the weak square
with 22.Re6+! Kd7 23.Re2! Kc6 24.Rc2! a5 25.Be3
Kd6 26.Rcd2 and the d5-pawn falls.
Theory marches on, and the chapter details
how better defensive ideas were found, as
well as new ways for white to seek to show
an advantage. It was the American grandmaster
Larry Christiansen who first improved the
defense by playing 18…Bb4! (rather than
18…Rc8+), and after 19.a3 Rhc8+ 20.Kb1
both 19…Ba5 and 19…Bc5 have allowed
black to maintain the balance. However, the
discussion closes with mention of a new white
try, 19.Kb1!?, and, indeed, this move has
continued to score well for white.
This is a fascinating discussion, and it’s
a rare treat to learn the genesis of an opening
idea. Here, the weakening of a square to be
exploited many moves later leads to a mysterious
bishop move. By grasping these sorts of subtleties,
a player can better understand concepts like
advanced planning and weak squares.
Other chapters cover important topics like
the initiative, risk, playing for mate, and
the general causes of opening disasters. There
are many useful insights to be found, but
there is a lot of mining that has to be done
to unearth them – the book is long on
discussion and sometimes a little short on
focus on specific topics.
The second half of the book involves deep
analysis of thirteen games, with the reader
asked to respond to questions about how one
or the other side should proceed at key points
in the games. The games are interesting and,
other than perhaps Lasker-Napier (Cambridge
Springs 1904), not games that have been extensively
annotated in similar game collections. I found
it interesting to compare Dvoretsky’s
notes to those done by Colin Crouch in his
excellent book HOW TO DEFEND IN CHESS. Interestingly,
Crouch refers to Dvoretsky’s analysis
in his notes to this game, although they differ
in their opinions at several points in the
game. While these are all excellent games
worthy of study, the opening aspect of the
game is generally not the primary focus of
each chapter.
In many respects, it appears to me that Dvoretsky
uses this last book in the series as a sort
of “miscellaneous” volume to include
material that did not make it into the first
three. While readers will benefit from these
discussions, the “opening developments”
title often seems misplaced.
In some ways, this book reminds me of Shereshevsky’s
Endgame Strategy – both cover a variety
of topics through discussion of one phase
of the game. Shereshevsky discusses, for example,
concepts like schematic thinking, suppressing
counterplay, the initiative, and the principle
of two weaknesses as well as more typical
endgame topics. I think Endgame Strategy works
a little bit at maintaining focus, probably
because while every game has an opening phase,
not every game makes it to an endgame. As
a consequence, perhaps the endgame examples
are not as diffuse as opening discussions
can be.
As noted in the beginning, readers should
understand the dated nature of some of the
theoretical discussions. Of the complete games
in the book, one is from 1996, one from 1994,
and one from 1991; the vast majority of the
games are from the 1980s, with a few from
years prior to that. While the theoretical
discussions are top rate, time doesn’t
stand still, and the book’s pronouncements
should be checked against later works.
One chapter that caught my attention detailed
Dolmatov’s experience on the white side
of the Pirc in two games from the early 1980s.
These games provide an interesting look at
the Austrian Attack after 1.e4 d6 2.d4 Nf6
3.Nc3 g6 4.f4 Bg7 5.Nf3 0-0 6.Bd3 Nc6 7.0-0
e5 8.fxe5 dxe5 9.d5. There are a couple of
places where I would question Dvoretsky’s
theoretical pronouncement, but there is also
some original Dolmatov analysis that you won’t
find in standard Pirc reference books.
In conclusion, Mark Dvoretsky writes books
that appeal to the serious chess player. While
there is plenty of content here that will
prove of value, it is arguably not an opening
book, and the average player may be disappointed
if they are looking for a discussion based
solely on that part of the game.