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I have to admit that some of my
best years were drowned out by my enjoyment of
the "traditional" San Francisco/Haight
Ashbury lifestyle. Nevertheless, I finally decided
that it was time to get a title and, since such
things were impossible to acquire in the United
States, I jumped on a jet and became a "quasi-Brit." Living
in London, I achieved an International Master
norm in my very first English event.
Silman - J Speelman
London, 1978
1.e4 c5 2.Nf3
Nc6 3.Bb5 (The Rossolimo
Variation has remained a personal favorite right
up to the present time. In fact, I often recommend
this line to my students.) 3...Qb6
4.Nc3 e6 5.0-0 Nd4 6.Bc4 Ne7 7.d3 a6 8.Nxd4 cxd4
9.Ne2 g6 10.Bg5 Bg7 11.Bb3 Qc5 12.f4 b6 13.f5!? (An
emotional reaction. I was so enraged by him leaving
his King in the center for so long that I decided
to rip things open at any cost. My positional
training vanished and my tactical desires reared
their ugly head!) 13...gxf5
14.Bxe7 Qxe7 15.exf5 Bb7 16.Ng3 (A
very interesting position has arisen. I think
Jon underestimated my chances here.) 16...Be5
17.Qh5 Bxg3 18.fxe6!

(This was my point. Now 18...Bxh2+
19.Kxh2 dxe6 20.Bxe6 favors White, as does
18...dxe6 19.hxg3. So Black is forced to sacrifice
a pawn, but that also turns out to be nice
for me.) 18...0-0-0
19.exd7+ Rxd7 20.hxg3 Qe3+ 21.Kh2 Rd6 (The
threat of 22...Rh6 is dealt with by a nice
triangulation maneuver by the White Queen.) 22.Qg4+!
Kb8 (The alternative
was 22...Kd8, but White would then have played
23.Qh4+ Kc8 [This is almost an identical position
to that which occurred after 21...Rd6. However,
there is an important difference: White's Queen
now stands on h4 where it is protected.] 24.Rae1
Qd2 25.Qg4+ Kb8 26.Re2) 23.Qf4!
Qxf4 24.Rxf4 Re8 25.Raf1 Re2 26.Rf6! Rxg2+
27.Kh3 (Black has
managed to restore material equality, but this
is only temporary--his many pawn weaknesses
leave him in a hopeless position.) 27...Rg1
28.Rxd6 Rxf1 29.Rxb6 Kc7 30.Rb4 Bf3 (Actually
threatening ...Rh1 mate.) 31.g4 (As
they say, the rest is a matter of simple technique.
Fortunately, at this phase of my career I had
developed enough technical expertise to win
such positions.) 31...Kd6
32.Rxd4+ Ke5 33.Ra4 h5 34.gxh5 f5 35.Kh4 Bc6
36.Rc4 Bb5 37.Rb4 f4 38.Re4+ Kf6 39.Ba4 Kf5 (He
keeps finding ways to threaten mate!) 40.Kh3
Bxa4 41.Rxa4 Rh1+ 42.Kg2 Rc1 43.Rc4 Kg4 44.h6
Rd1 45.h7 Rd2+ 46.Kg1 Rd1+ 47.Kf2 Rd2+ 48.Ke1
Rh2 49.Rc7 f3 50.d4 Kg3 51.Rg7+ Kf4 52.d5,
1-0.
I like this game against Speelman.
Instead of playing for "mate or bust," I
used my tactical abilities to transpose into
a winning endgame. This kind of "all phase" integration
is necessary if you wish to successfully compete
at an international level.
The following game, from the same
tournament, is certainly nothing special. However,
it shows that quick victories often come from
calm, positional buildups. Once a player realizes
that he can play safely, correctly, and still
vent his bloodlust on a hapless opponent, then
you can open up to the idea of "stylistic
balance." By the way, the Basman game also
demonstrates a great way to deal with the rather
dodgy 1.e4 b6 system.
Silman - Basman
London, 1978
1.e4 b6 (At
the time this was considered very risqué.
In later years, Basman pushed the envelope in
many ways, one sample of his lunacy: 1.e4 g5) 2.d4
Bb7 3.Nd2 e6 4.Ngf3 Nf6 5.Bd3 c5 6.c3 Qc7 7.0-0
Be7 8.Re1 0-0 9.Nf1 (I
love this line against 1...b6. White gets space
and chances for play all over the board.) 9...d6
10.Bg5 Nbd7 11.e5!? (A
bit rushed, but there were a few variations that
attracted me. The simple 11.Ng3 recommends itself.) 11...dxe5
12.dxe5 Nd5?? (Losing.
He could have kept White's advantage to a minimum
by 12...Bxf3 13.Qxf3 Nxe5 14.Qg3 Bd6 15.Bxf6
Ng6 16.Qf3 gxf6 17.Qxf6) 13.c4! (My
opponent clearly underestimated the strength
of this move.) 13...Bxg5 (It's
already too late--Black is completely lost.) 14.Nxg5
Nf4 15.Bxh7+ Kh8 16.g3! (The
rest doesn't need comment.) 16...f6
17.gxf4 fxg5 18.Qh5 Rxf4 19.Bf5+ Kg8 20.Bxe6+
Kf8 21.Qh8+ Ke7 22.Qxg7+ Kxe6 23.Qg6+ Ke7 24.Qxg5+
Ke6 25.Qxf4 Rf8 26.Qh6+ Ke7 27.Rad1,
1-0.
I repeated this same "quiet" system
a couple of years later, and this time won even
faster!
Silman - L Kaushansky
Chicago, 1980
1.d4 b6 2.e4
Bb7 3.Nd2 e6 4.Ngf3 Be7 5.Bd3 Nf6 6.0-0 0-0 7.Re1
d6 8.c3 c5 9.Nf1 Nc6 10.a3! (Keeping
the enemy Knight out of b4 and also preparing
to expand on the queenside.) 10...cxd4
11.cxd4 Rc8 12.b4 a6 13.Ng3 b5 14.Bb2 g6 15.Qd2 (What's
not to like? Things are even on the queenside,
while White has an obvious advantage in the center
and on the kingside.) 15...Re8
16.Rad1 d5 17.e5 Nd7 18.Qf4 Nb6 19.h4 Nc4 20.Bc1
Qd7? (Black's game
is horrible, but this simply leads to Armageddon.) 21.Nh2 (The
holes on f6 and h6 are calling.) 21...Bf8
22.Ng4 Bg7 23.Nh5! gxh5 24.Nf6+ Bxf6 25.exf6
Ne7 26.Qh6, 1-0.
Though I had an IM norm
under my belt, an empty wallet forced me to
return to the United States and give up my
title aspirations. Nevertheless, I continued
to compete in tournaments. One change concerned
my first move: I had played 1.e4 throughout
my life and felt bored by it. I finally decided
that I had to switch to 1.d4, if for no other
reason than to enrich my understanding of the
game by facing unfamiliar positions.
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