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Franckenstein's Favorite
Forgotten Films
 

 
GET CARTER (1971)

Director: Mike Hodges
Starring: Michael Caine, Ian Hendry, John Osborne
Watson scale: 4.5

Many believe this to be the best British crime thriller ever made. It's realistic, highly disturbing and, without a doubt, a true gangster classic. GET CARTER is also notable for having the famous playwright, John Osborne, play the villain.

Michael Caine in 'Get Carter'
Michael Caine in 'Get Carter'
Anonymous
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HAPPINESS
Director: Todd Solondz
Starring: Dylan Baker, Lara Flynn Boyle, Cynthia Stevenson, Jane Adams, Philip Seymour Hoffman, Camryn Manheim, Ben Gazzara, Louise Lasser
Watson scale: 4.5
Todd Solondz's follow-up to his highly touted WELCOME TO THE DOLLHOUSE brilliantly exposes the seamy under-belly of middleclass American life. A very intense adult film that brings forth a host of emotions and images; funny, horrifying, bleak, sexual, and poignant, this piece of art will stick in your mind for a long time to come!

Lara Flynn Boyle
Lara Flynn Boyle
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THE 39 STEPS (1935)
Director: Alfred Hitchcock
Starring: Robert Donat, Madeleine Carroll
Watson scale: 4.5
This great British "spy-chase-thriller," considered by most to be Hitchcock's first great masterpiece, set the tone for many of the legendary director's later films (for example, the idea of an innocent man that's framed and forced to deal with a world that suddenly seems out of control was used to great effect in his 1959 classic, NORTH BY NORTHWEST). The key to any great film lies not only in its entertainment value, but also in how it forces us to peer into various aspects of our own nature (HAPPINESS does this in a very powerful way). In THE 39 STEPS, the audience finds itself immersed in the rush of a psychological thriller, while also being forced to ponder the motif of marriage as a confining and sexually frustrating construct.

Robert Donat
Robert Donat
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DELICATESSEN (1990-French)
Director: Marc Caro, Jean-Pierre Jeunet
Starring: Dominique Pinon
Watson scale: 5
A superbly acted, kinky black comedy set in a cannibalistic French future. This alone should whet your intellectual appetite and make you want to take a bite out of this wonderful film.



BELLE DE JOUR (1968-French)
Director: Luis Bunuel
Starring: Catherine Deneuve, Jean Sorel
Rated "R"
Watson scale: 4.5
Catherine Deneuve's best early film is an intense character study that explores a rich, outwardly proper housewife that struggles with her nymphomaniac/masochistic/hooker obsessions. French perversion and French introspection at its best!

Catherine Deneuve
Catherine Deneuve
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WAGES OF FEAR (1953-French)
Director: Henri-Georges Clouzot
Starring: Yves Montand, Charles Vanel,
Watson scale: 4.5
Director Henri-Georges Clouzot, often called the "French Hitchcock," is best known for his 1955 masterpiece, DIABOLIQUE. However, in my opinion WAGES OF FEAR surpasses that film and stands out as one of the finest and most compelling suspense dramas of all time.


CRUMB (1995)
Director: Terry Zwigoff
Documentary
Watson scale: 5
Every "shrink" I know has seen this at least twice! This ultimate tragi-comedy of a hugely dysfunctional but brilliant family took six years to make. One of the greatest documentaries of all time.


THE PIANO TEACHER (2001-French)
Director: Michael Haneke
Starring: Isabelle Huppert, Annie Girardot
Watson scale: 4.5
This French film by the Austrian director (which won best actor, best actress, best director, and the Grand Jury Prize at the Cannes film festival) is about a 40ish female piano teacher who works at a prestigious Viennese conservatory. This scenario, mixed with the magnificent musical backdrop of Schubert, Bach and Beethoven, might make some think they are in for a rather calm, relaxing movie experience. The real story, though, concerns her masochistic sexual tastes, and her S&M affair with a much younger male student. A haunting and often disturbing film that is filled with a plethora of magnificently depraved scenes. A truly incredible performance by Isabelle Huppert makes this a virtual must-see!



THE SILENCE (1963-Swedish)
Director: Ingmar Bergman
Starring: Ingrid Thulin, Gunnel Lindblom
Watson scale: 5
Ingmar Bergman's black and white classic about two sexually repressed sisters holed up in a small German town during World War II. The scene where one is picked up by a waiter at a cafe is the ultimate in screen sex writing. No dialogue--he drops a napkin, and as he pick it up, he inhales her from toe to crotch, to breast, slightly touching her knee in passing--the next scene--he is wrestling with the hotel room key in the lock. Next scene--she is seen unzipping her dress and putting out the light. Next scene--the other sister comes in later, and sees huge scratch marks all down the waiter's back. It's all left to the audience's erotic imagination, and the result is one of the sexiest and most sensual scenes ever written!



LA DOLCE VITA (1960-Italian)
Director: Federico Fellini
Starring: Marcello Mastrianni, Anouk Aimee, Anita Ekberg
Watson scale: 6
Federico Fellini's all time black and white classic about jaded, perverted socialites and show business types in 1960's Rome. I had a crush on Anita Ekberg--the ultimate massively busted blonde--for years as a teenager after seeing this film! The great Marcello Mastroiani is at his best.

La Dolce Vita
La Dolce Vita
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MILLER'S CROSSING (1990)
Director: Joel Coen
Starring: Gabriel Byrne, Albert Finney, John Turturro, Steve Buscemi, Danny Aiello, Frances McDormand
Watson scale: 5
MILLER'S CROSSING, my favorite Coen brothers movie, is about Irish, Italian and Jewish gangsters during the Prohibition era. A complex tale about lust and vengeance, it can be relished over and over again.

Gabriel Byrne
Gabriel Byrne
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THE THIRD MAN (1949)
Director: Carol Reed
Starring: Orson Welles, Joseph Cotten, Trevor Howard, Alida Valli
Watson scale: 6
Carol Reed's black and white classic has just had a technological makeover and the results are stunning. Some of the greatest lighting and camera-work in the history of cinema, and one of the most gripping spy dramas, Orson Welles does not appear till two-thirds into the movie, but it is worth the wait!

Orson Welles
Orson Welles
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BREAD AND CHOCOLATE (1978-Italian)
Director: Franco Brusati
Starring: Nino Manfredi, Anna Karina
Watson scale: 5
This bittersweet comedy classic stars Nino Manfredi, one of the greatest comedy actors of all time. The first ten minutes goes as follows: Nino is trying to beat out a rival Turkish waiter so he can impress the owner of a Swiss Restaurant (thus getting a job and a green card). It might not sound like much, but Manfredi turns it into one of the funniest sequences in film history.


ROCCO AND HIS BROTHERS (1960-Italian)
Director: Luchino Visconti
Starring: Alain Delon, Annie Girardot
Watson scale: 4.5
This black and white classic made young Alain Delon a star. An epic account of a family's descent into corruption, backed up by exquisite acting and photography.

Alain Delon
Alain Delon
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THE LADYKILLERS (1955)
Director: Alexander Mackendrick
Starring: Alec Guinness, Peter Sellers, Katie Johnson
Watson scale: 6
Alexander MacKendrick's (he also directed THE SWEET SMELL OF SUCCESS) brilliantly funny black and white comedy, with Alec Guinness (wearing Kenneth Tynan-esque snaggleteeth) as the leader of an inept band of robbers (his gang consisted of a fat, young Peter Sellers, Herbert Lom, and Cecil Parker) who are completely outwitted by a little old lady. Who knows how much Sellers learnt for his future comedy roles, like THE PINK PANTHER, by watching the master at work. Also see Guinness in KIND HEARTS AND CORONETS, where he plays eight different characters.

Alec Guinness
Alec Guinness
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