BRAINWASHED,
originally titled Die Schachnovelle, is based
on Stefan Zweig’s novella THE ROYAL GAME
(published posthumously in 1944, after the author
and his wife committed suicide in 1942). Considered
by many to be the finest work of fiction ever
written about chess, the story translates very
well to the big screen due to its depiction of
Nazi-occupied Vienna, and to its vivid portrayal
of a man’s slow descent into madness due
to imprisonment and prolonged torture.
The movie starts with a middle-aged,
aristocratic Austrian man (Werner Von Basil, played
by the great Curt Jurgens) being helped on board
a ship (it was delayed due to his late arrival,
much to the dismay of the other passengers) that’s
packed with men and women trying to get out of
war torn Europe. Once on board, he spies an exhibition
where an egotistical, boorish Yugoslav man named
Czentovic (who happens to be the World Chess Champion!)
is playing one game against several opponents
at once, all of them being able to discuss possible
moves at length and leisure.
After watching a bit of this contest
(won by the champion), Werner von Basil retires
to his room in a state of turmoil. It’s
clear that chess was the catalyst, but why? Later
he takes a walk and finds the champion involved
in a second game against the same, overmatched,
group. Seeing that a blunder is about to be played
which will result in a quick victory for Czentovic,
Werner intrudes and shows the group a way to force
a draw. Impressed, they go along with his recommendation
and, as promised, save the game.
Unhappy that a second victory was
ripped from his grasp, Czentovic challenges the
mysterious stranger to a game and, as it starts,
we’re taken via flashback to where the ruin
of his life began. This part of the tale shows
us how Werner helps a Bishop hide a Church art
collection, his arrest by the dreaded Gestapo
(who want to find out where it’s stashed),
and how one high-ranking Gestapo agent (who fancies
himself an intellectual) decides to break Werner
without any physical violence.
Days, weeks, and months go by with
endless questioning, total isolation in a small,
drab room, and no reading material or mental stimulation
of any kind allowed. Disoriented and losing his
grip on reality, Werner manages to steal a book
from a guard’s coat. Later, alone in his
room, he ecstatically opens up its pages only
to discover no words whatsoever (other than the
occasional odd name of a chess player). Instead,
it’s filled with strange notations and pictures
of chess pieces on chessboards. Having never played
chess, he teaches himself the game’s rules
by logical deduction and, over time, memorizes
every game in the collection. With no human contact,
his only friends become Alekhine, Bogoljubov,
Lasker, Capablanca, and others of their kind.
Back on the ship, we now understand
that he’s escaped from a mental hospital,
and that he’s never played a real game of
chess against a real person in his life. How does
he fare in his contest against the World Champion?
The movie’s answer gives us real food for
thought.
The director, Gerd Oswald, was the
son of celebrated German stage and film director
Richard Oswald. Gerd ultimately helmed many movies,
did the first season Star Trek episode THE CONSCIENCE
OF THE KING, and directed several episodes of
THE OUTER LIMITS from 1963 to 1964. However, BRAINWASHED
stands out as his most compelling work.
To my knowledge, this movie is not
available on DVD, and it’s rather difficult
to find in any form (though a few VHS are still
available – at very high prices –
on Amazon.com and elsewhere on the web).
Though the copy on video isn’t the best
quality, it still stands up as one of the finest
movies on chess ever made. Thoughtful, intelligent,
and disturbing, every serious collector of chess-related
films should get this for his collection.
|