THE
EYE (Chinese - 2002)
Directed by: Oxide Pang Chun and Danny Pang
Cast: Angelica Lee, Lawrence Chou and Chutcha Runjinanon.
Watson Scale: 5.5
Though
my fellow reviewer Val liked this film (click
HERE
to see her review), she wasn’t quite as
taken by it as I was. What amazed me about THE
EYE is that a worn idea (a blind girl gets cornea
transplants and suddenly see ghosts), which usually
ends up as one huge cliché, avoided all
pitfalls and turned out to be one of the finest
ghost stories I’ve ever seen. Great direction,
a magnificent script, and wonderful acting made
every scene a success. Even at the end, when I
feared a “sap-attack,” the perfection
of the filmmaking left me deeply satisfied.
THE EYE is a thoughtful,
scary, and highly effective movie that shouldn’t
be missed.
CRYING FREEMAN
(French - 1995)
Directed by: Christophe Gans
Cast: Mark Dacascos, Julie Condra
Watson Scale: 2.5
The CRYING FREEMAN
story went from comic to manga to (finally) live
action – much to the delight of its many
fans. Made before Gans’ far superior, BROTHERHOOD
OF THE WOLF (see below), this film (which was
put together for a mere eight million dollars)
is about an unstoppable assassin who, after falling
in love with a “target,” tries to
free himself from the service of a secret Chinese
criminal organization. Sporting stylistic
beauty and a smooth soundtrack, I had high hopes
from the credits on. Sadly, my expectations dwindled
as unnecessary characters came and went, as bullets
flew numbingly past our “immune” hero,
and as the story gelled into a vacuous mess. Though there were some
interesting moments, the lack of any real drama
and any compelling characters left me feeling
as hollow as the script.
BROTHERHOOD OF THE WOLF
(French - 2001)
Directed by: Christophe Gans
Cast: Samuel Le Bihan, Vincent Cassel, Mark Dacascos
Watson Scale: 4
This French martial
arts period piece thriller offers stunning visual
images, magnificently choreographed fights, and
some very interesting/compelling characters. When
a French village is reduced to terror due to horrific
wolf/demon mutilations, a French naturalist/philosopher
and his Iroquois Indian blood brother (who happens
to be a martial arts expert – let’s
just enjoy the insanity and not try to over-think
this, okay?) are called in by the King to hunt
down the creature. We are soon faced with politics,
ignorance, bigotry, conspiracies, love, and the
constant question of what the elusive creature
really is. Samuel Le Bihan, Mark
Dacascos, and the whole cast turn in stellar performances,
and I really enjoyed the dreamlike quality of
many of the scenes. A bit slow at times, frenetic
at others, poetic, artsy, exciting, and perhaps
longer than it should be, BROTHERHOOD OF THE WOLF
isn’t perfect, but it IS great entertainment.
I SPY (2002)
Directed by: Betty Thomas
Cast: Eddie Murphy, Owen Wilson, Famke Janssen,
Malcolm McDowell
Watson Scale: 2.5
As a child, I really
loved the old I SPY television series. Thus, I
thought a feature film version staring Murphy
and Wilson was a great idea. Once it was released,
though, horrible reviews came pouring in and I
decided to avoid the theater and wait for the
DVD. I admit that I prepared myself for the worst,
but for the price of a 99 cent one day rental,
what did I have to lose? Perhaps it was my negative
expectations, but I was pleasantly surprised.
The script is weak,
the chase scenes are interesting but generic,
the humor sometimes works and sometimes doesn’t,
and common sense is tossed into the garbage when
the U.S. sends one of its worst agents (Wilson)
on a mission of enormous importance (a top secret
stealth aircraft carrying a nuke had been stolen).
Nevertheless, the two stars are so likeable, and
their interaction is so enjoyable, that I SPY
gave me my full 99 cents’ worth of value.
If you are looking for a pleasant bit of escapist
fluff, this movie should do the trick.
EVIL DEAD TRAP
(Japanese - 1988)
Directed by: Toshiharu Ikeda
Cast: Miyuki Ono, Fumi Katsuragi, Hitomi Kobayashi,
Eriko Nakagawa
Watson Scale: 3
I’ve always hated
slasher films – a genre devoted to the mindless
mutilation of as many men and women (usually teenagers)
as possible. Though loved by American teenagers,
and also common Italian fare, the Japanese tend
to like a bit more story and subtlety with their
horror. EVIL DEAD TRAP, though, isn’t about
subtlety. It’s a pure “kill everyone
in sight for no reason” snuff flick that
will gladden the sadistic hearts of American audiences. The story is very basic:
a famous TV reporter receives a film showing the
torture/killing of a young woman in the mail.
Not sure if it’s real or staged, she takes
note of the location hints in the video and, together
with several co-workers, drives out to the abandoned
factory where the scene was shot. After that,
it’s one brutal murder after another. What makes this film
stand out from many of the American “knife
anything that moves” efforts are: The characters
are likeable, the death scenes are inventive and
realistic (the knife-point in the woman’s
eye and the rush of retinal fluid almost made
me lose my lunch), the suspense is heavy, and
the threatening tone (in some ways reminiscent
of Argento, though they Cronenberg the finale
and, in my mind, do real damage to the film as
a whole) lingers in the mind long after the movie
ends. EVIL DEAD TRAP is a
genre classic that should be seen if you enjoy
the mass evisceration (and one rape) of pretty
Japanese women.
ANOTHER HEAVEN
(Japanese - 2000)
Directed by: Jôji Iida
Cast: Yosuke Eguchi, Akira Emoto, Yoshio Harada,
Miwako Ichikawa
Watson Scale: 2.5
The fact that
one of the producers of THE RING (click HERE
for the review of that excellent Japanese film)
was associated with ANOTHER HEAVEN forced me to
check this one out.
Part horror tale, part
supernatural thriller, ANOTHER HEAVEN has a promising
start: an unusually large group of cops are investigating
a murder in the victim’s apartment. Slow
on the uptake, they eventually realize that his
head is sliced open and his brains are simmering
away in a pot of stew. Soon other people, sans
brains, also turn up. Though the mystery
of “who and why” is interesting at
first, far more to my liking is the interplay
between a good looking cop named Manabu, his tough
as nails old partner, Tobitaka, and Asako, a very
young (in body and mind) female ex-con who forces
her way into Manabu’s bed and, eventually,
his heart. In some ways
this movie reminds me of FALLEN (A Denzel Washington
flick about a body-jumping demon) and THE HIDDEN,
which is about an odd parasitic life form that
leaps from one (used up) host to the next. The
idea of something taking over people is an old
one (INVASION OF THE BODY SNATCHERS from 1956
comes to mind – click HERE
for that review), but ANOTHER HEAVEN isn’t
nearly as good as the three movies just mentioned.
Nevertheless, I found it worth a watch and, if
you like this type of thing and don’t set
your sights too high, you probably will too.
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