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ONMYOJI

2001
Director: Yojiro Takita
Starring: Mansai Nomura, Hideaki Ito, Hiroyuki Sanada, Kyoto Koizumi, Eriko Imai, Yui Natsukawa

Reviewed by: Teri Tom

Watson Scale: 2.0

This is one of those occasions where I'm reading the sound bytes from other reviews and thinking, "Did we see the same movie?" Again, from the DVD jacket:

"During a dark age of demons and ghosts in the Haeian period (794-1185 AD), the Emperor relies upon the imperial order of the Onmyoji, who are the experts of the supernatural power, to protect the kingdom. However, as the birth of the emperor's heir approaches, political intrigue and jealousy will lead to the most dangerous of betrayals :from within the Onmyoji and the Emperor's family! It will be up to the most talented of the order, Seimei, to face his master, Doson, and the dark magic that threatens to destroy them all!"

Sound good, huh? And this movie starts out great. Mansai Nomura is absolutely engaging as Seimei, exuding a playful mischief not unlike EXCALIBUR'S Nicol Williamson. He's got that whispering spell-casting thing down pretty well, too. There's some tastefully done spooky stuff. Demons floating about, curses with shocking results, and falling limbs and disembodied heads. These things are well placed. It's not gory overload : just a smattering of creepy things that kept me very interested for the first hour.

And then a funny thing happened. My rating for this film just kept sinking lower and lower. Suddenly all the great moody atmospherics disappeared and were replaced by a series of unconvincing demon and hoodoo voodoo showdowns. At first I welcomed the absence of punching and kicking but then I just got tired of these two Merlin-types waving their arms and chanting. They are soooooooo passive aggressive! Could they at least throw spells at each other face-to-face? Ugh, and when they finally do, it's pretty anticlimactic. Watching this film, I started to wonder if they'd run out of money or something. How could a movie that starts out so well run out of steam so quickly?

The Los Angeles Times called this "an epic tale of love, sacrifice and redemption that attains a Shakespearean aura of grandeur and nobility of spirit." HUH?! Either I'm completely mistaken here, or this guy walked out of the theater early.